Monday, December 21, 2015

Nakashima Inspired Table (pt. 2)



 The only way I could think to do the miter was to get it close, then finesse it to perfect using a hand plane (Low Angle Jack being the weapon of choice).  To make it easier on myself I decided to make a single purpose Donkey's Ear type planing jig.  I thought about making a generic one, but I don't see needing one 18" long and 2.5" thick in the future.  Of course first I needed to cut some miters.  For the top and bottom pieces (45* on the long edge) I used cutoffs from my french cleats which I triple checked for 45.  For the end pieces I thought about just setting my miter gauge, but 45s are something I could see doing more of so I decided to make a dedicated sled.  I liked the picture frame sled from FWW a few years ago, and its use isn't limited solely to picture frames, so I made one of those:
I put this off for far too long
And since I had some walls that needed posters, and posters that needed frames, I tested the sled a few times.  Which required a spline jig.
Nothing fancy but it works well.
The posters definitely improved the feel of the shop.

Not in love with this wall, but the posters help.
I still have 2 more posters, and wall space for more french cleats, if I can figure out what I want to put on them.  While I was distracted I figured I might as well finish that Longworth chuck I started a few months ago.
Not the prettiest but it will work.
And finally I got back to the coffee table.  I cut the 2x4 to thickness and screwed together my planing jig.
Time to make some shavings.
After getting close it was clear that hte jig was bowing a bit due to the clamps being located at the very edges.  I added a little pressure to the middle and cleaned it up.
Almost there.
As I was finishing up the first side I realized that I needed a way to reference the jig if I needed to trim it up again.  I started by just drawing a line, but even that didn't really sit well with me.  I ended up ripping some thin strips and using 2-sided tape to create a solid reference surface for the back of my jig.  Then I did the other side, and tested the fit.  At first I made used plywood to make an "inside corner" that sat on the outside of the joint, and it was easy to see how far out of 90* it was.  It wasn't.  However it prevented me from seeing how the edges met.  After some thinking and very careful maneuvering I was able to look at the outside of the joint.
Testing the fit
Pretty good
Overall the joint was pretty tight.  But after a bit more fussing I realized that the wood had cupped every so slightly.  Over 18" (then double since both the top and the leg cupped) ever so slightly isnt good enough.  Luckily I left the reference boards in place and was able to take the cup out where the jig attached.  It was probably no more than 4 passes with the plane and the joint closed up along its length.  To mortise for the tenons I need to create sort of a box joint jig.  Luckily I can use my reference strips to align the box joint jig.
Nothing fancy but it worked well.
 This was one of the few operations for which my shop struggled.  I have all the tools, and skills, the problem is the bench is in the wrong room.  I tried clamping the table to my other workbench  and hit a wall.  I tried to attach it to my table saw, but the clamps didn't feel as solid.  In the future I will look for ways to add some clamping surfaces in the machine room (though this is a fairly unique project). The only trick is making sure you flip the pattern over when routing the other side.
Alignment looks good.
 Then I just cleaned up the edges with a chisel.  Since my mortises weren't all exactly 1/2" wide, and also probably varied in length just a little I cut the tenons a little over sized ~1/32".
Ready for fitting.
 First I planed them to thickness (starting with the widest going down from there).  Then the mortises and tenons were all labeled.  I decided to alternate grain direction, though I can't image it makes any difference.  I trimmed them at the shooting board.
The first five have been fitted
The first test fit went pretty well.  Nothing bound, , but one corner didn't close.  Since I knew it fit before the tenons, it was a quick diagnosis (a few tenons were just a little oversized).  After trimming them at the shooting board all was well.

That was the first of many test fits.  Eventually I came up with a system that was fast and safe enough to actually add glue.  Then I took a breath and slowed down.  I organized my clamps, swept the floor, gathered some scraps and cauls, got out the gloves, pre-ripped some paper towels and covered my bench with wax paper.  I consciously spent time prepping for the glue up.  I recently started doing this when faced with something stressful/irreversible, and I find it helps me relax and makes the process much smoother.  Finally I stopped putting it off, and did the glue up. 

Overall it went well.  It could have been a bit smoother, but the miter looks pretty tight, and its square.  In a day or so I'll take off the clamps, and hopefully no surprises.

Tuesday, December 8, 2015

Nakashima Inspired Table (pt. 1)



With Ian running around our glass top coffee table was destined for a short life.  In September we took a drive out to Dunlap Woodcrafts.  This is not your typical lumber store.  You will not find piles of 4/4 FAS boards.  What they do have is thousands of bdft of flitches burls, and big unique lumber.  While Ian played with the proprietors I was looking for the right slab to take home.  We found one, and it spent a couple months leaning on a wall in our living room.  For those of you following along, I have been busy building other things most recently the Woodworkers Fighting Cancer table and chair set, and a growth chart.  More information on WFC can be found here.
While he didn't know what to think at first now he loves his chairs.
I carved then painted the numbers.  Used a plane after to remove the sloppy paint.  Pine with a coat of shellac.
Part of the delay was necessity and part(most) was not knowing what I was going to do with the legs.  Last weekend I decided to grab some 2x and mock up some ideas:

Classic Nakashima style with slanted leg.
More modern, waterfall leg, and open trapezoid for the other leg
Once we set up the slab and looked, the waterfall/trapezoid won.  Those legs made the slab look lighter and seemed to flow with the room.  The waterfall leg will be a challenge.  After going back and forth I think the best way to reinforce the miter is to make "Full-Blind Multiple Splines".  This provides the most face/edge grain glue surface.
From "Tage Frid Teaches Woodworking: Joinery"
The miter requires that the piece be jointed and thicknessed prior to layout.  Even if I had a jointer, it wouldn't help me on this one.  So time to get out the jack plane and go to town.  Using my bench as a reference surface it had maybe a 1/8" of twist.  A few hours later it was trued up,

Start by marking the high spots.  
Almost there...
After I got the the board planed it was time to commit and make some cuts.  These were done with a circular saw out in the garage.  First I made 90* cuts to separate the top from the leg, then cut the 45* angle.  With the blade tilted it didn't cut all the way through, so I finished them off with a hand saw.

Double check everything.
No going back now
I finished this with a handsaw
This is the way it sat for a few weeks while I made my 45* table saw sled, (tested it on some picture frames) and a reference jig for truing the miter.